Conheg Chases Phantom Wreckage on 'Rest, Azoth'
Scrambling out of a three-year breakup, Tyler John Cunningham builds cold early-2000s rock tension without touching a live studio amp.
By 40MAG ·
Tyler John Cunningham wrote this right after a three-year relationship fell apart, chasing that gutted feeling when an intense dream slips away the second you wake up. Instead of booking a rehearsal room, he tracked every drum hit, pad, and guitar texture straight inside his DAW to recreate early-2000s alternative rock weight. The whole thing balances on an erratic, octave-jumping vocal take that sounds completely wiped out.

